»Die heikelste Partie meistert Coco Lau als Hilde Mack, deren vermeintliche Hysterie sich in ›irren‹ Koloraturen äußert.«
Salzburger Nachrichten – F. Oberhummer 25.1.2024

Coco Lau is a classical singer who grew up in Hong Kong. Her training in both classical and contemporary music in Austria and Germany makes her a versatile performer, with a repertoire ranging from baroque to contemporary compositions. Lau’s ability to learn music quickly and her sharp musical instincts have taken her to renowned festivals and stages, including the Schwetzinger SWR Festspiele (2025) in Adam & Eva by Mike Svoboda, Heidelberger Frühling (2025), Osterfestspiele Tirol, and the Münchener Biennale (2024), where she appeared in Die neuen Linien #1 and The Gates Are (Nearly) Open by Du Yun with NOVOFLOT in Berlin. Her curiosity and interest in artistic variety have brought her opportunities to work closely with composers such as Ying Wang (Grey Hair, 2024) and Maximiliano Soto Mayorga (Medea Fragments, 2024).
As an artist who enjoys creative exploration and actively seeks out innovative projects, she launched her first open call for scores in 2025 under the theme of Motherhood, in collaboration with Vox Novus —Fifteen Minutes of Fame.
On the opera stage, Lau portrayed Hilda Mack in Hans Werner Henze’s Elegy for Young Lovers (1961) under the baton of Gernot Sahler and director Alexander von Pfeil (2024). She premiered Hans-Joachim Hespos’s POÄM (2023), choreographed by Johannes Schropp at Hellerau, and appeared in Jean-Baptiste Marchand’s chamber opera Im Geheimnis at the Limina Festival with Ensemble œnm (2021). Earlier, she performed the role of Suor Osmina in Opera Hong Kong’s production of Suor Angelica (Puccini) in 2017.
Concert highlights include Ligeti’s Aventures et Nouvelles Aventures and the premiere of Dreiundzwanzig by Johannes X. Schachtner at the aDevantgarde Festival (2023), where she sang with Salome Kammer and Ensemble NAMES. Her interpretation of Aribert Reimann’s Lady Lazarus (1992), directed by Angelika Luz, has been featured in Salzburg, Berlin, and Dresden—including a special performance at the Semperoper as part of the symposium Ein Tag für Aribert Reimann in 2023.
She has worked with composers such as Adriana Hölszky, Carola Bauckholt, Sarah Nemtsov, Caspar Johannes Walter, Sergei Newski, Klaus Lang, Kunsu Shim, Dmitri Kourliandski, Jaime Reis, Eloain Lovis Hübner, and Andreas Bäuml. Lau works regularly with Schola Heidelberg, AuditivVokal Dresden, and the Rheinstimmen Ensemble.
Lau holds two master’s degrees from the Mozarteum University Salzburg: a Master of Arts in Voice with Michèle Crider and a Master of Music in Contemporary Music with Lisa Fornhammar. Her artistic development has been shaped by mentors including Manos Tsangaris, Jörn-Peter Hiekel, and Marino Formenti. She is currently based in Dresden, Germany.
(Update on 5-12-2025)
NDR Beitrag Vernissage Dunkel – Licht. Lichtinstallationen
https://www.ndr.de/kultur/kunst/niedersachsen/Licht-Zur-Ruhe-kommen-Ausstellung-von-Goetz-Lemberg,goetzlemberg100.html

AuditivVokal Dresden | Conductor: Olaf Katzer
AuditivVokal Dresden | Conductor: Olaf Katzer
Operation der Künste
Komposition: Jakob Böttcher, Hildegard von Bingen
Pascal Dusapin (1955) Opera PASSION (2008)
Ensemble Modern | Schola Heidelberg
SCHOLA HEIDELBERG | Philharmonische Orchester Heidelberg
SWR Symphonieorchester | SCHOLA HEIDELBERG
Nationaltheater Mannheim | SCHOLA HEIDELBERG
SCHOLA HEIDELBERG
Conductor: Ekkehard Windrich
AuditivVokal Dresden
Conductor: Olaf Katzer
SCHOLA HEIDELBERG | Ensemble Semblance
Conductor: Walter Nußbaum

SingFest 聲蜚合唱節
29, 30, 31 August 2025
Studio Theatre, Hong Kong Cultural Centre, Hong Kong
https://www.singfest.hk/pressed-for-love
Opera: Adam & Eva
World Premiere: 2 May 2025 & Performance: 4 May 2025
Rokokotheater, Schloss Schwetzingen
AuditivVokal Dresden
A New Year’s Concert Full of Metamodern Sound Experiences
SCHOLA HEIDELBERG | ensemble aisthesis
An Interdisciplinary Performance as part of “Chemnitz 2025 – European Capital of Culture”
A fusion of music, visual art, and movement, exploring themes of transformation and cultural dialogue.
AuditivVokal Dresden Guest Performance with the Dresdner Philharmonie
Conductor: Jonathan Nott
ensemble aisthesis & SCHOLA HEIDELBERG
Concept/Producer/Composition: Ying Wang
Composer: Maximiliano A. Soto Mayorga

| Opera / Music Theatre | ||
| Henze, Hans Werner | Elegie für junge Liebende (1961) | Hilda Mack |
| Marchand, Jean-Baptiste | Im Geheimnis | Sopran UA 28.10.2021 |
| Puccini, Giacomo | Suor Angelica | Suor Osmina |
| Ligeti, György | Le Grand Macabre | Venus und Chef der Gepopo** |
| Mozart, Wolfgang Amadeus | Die Zauberflöte | 1. Dame* |
| *Studied | ||
| **Studying |
| Concert | |
| (Selection) | |
| Hölszky, Adriana | Kommentare für Lauren für Sopran, acht Bläser und Schlagzeug (1978) |
| Ligeti, György | Aventures et Nouvelles Aventures (1923-2006) |
| Reimann, Aribert | Lady Lazarus (1992) Link |
| Wang, Ying | UA 23.11.2024 Grey Hair (Video) |
| Maximiliano Soto Mayorga | UA 3.12.2024 Medea Fragments |
| Hespos, Hans-Joachim | UA 06.05.2023 POÄM, Klangszene für 7 Vokalsolisten |
| Newski, Sergej | UA 12.05.2024 Requiem für Alexej Nawalny |
| Lang, Klaus | UA 03.06.2022 Mizu. Yuki (Sinfonia XXII.II) |
| Goeyvaerts, Karel | Litanie IV (1981) Link |
| Yun, Du | UA 5.6.2024 The Gates are (nearly) open |
| Feldman, Morton | Four songs to E. E. Cummings (1951) Soundcloud |
| Kagel, Mauricio | Der Turm zu Babel Nr 2: Und dann sagte der Herr |
| Korngold, Erich Wolfgang | 3 Lieder Op. 22 Link |
| Studied Works | |
| Berio, Luciano | Sinfonia for 8 voices and orchestra (1968) |
| Schönberg, Arnold | Pierrot lunaire, op. 21 |
| Nono, Luigi | Djamila Boupachà (1962) |
| Szymanowski, Karol | Sechs Lieder der Märchenprinzessin Op. 31 |
| Webern, Anton | 3 Gesänge aus ‘Viae inviae’, Op.23 |
| Kurtág, György | Kafka Fragmente Op. 24 |
| Aperghis, Georges | Récitations |
| Oratorio | |
| Bach, Johann Sebastian | Jauchzet Gott in allen Landen, BWV 51 (Aria) Matthäus-Passion, BWV 244 Aria: Blute nur, du liebes Herz Ich will dir mein Herze schenken Aus Liebe will mein Heiland sterben Weihnachtsoratorium, BWV 248 Aria: Flößt, mein Heiland |
| Handel, George Frideric | Messiah HWV 56 |
| Mozart, Wolfgang Amadeus | Requiem KV 626 |
| Brahms, Johannes | Ein Deutsches Requiem op. 45 |
| Orff, Carl | Carmina Burana |